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arts:harriet_whitney_frishmuth [2009/01/15 10:00] – tomgee		arts:harriet_whitney_frishmuth [2009/01/15 10:02] (current) – tomgee
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	Harriet Frishmuth scorned modern art and was quite outspoken on the subject, calling it "spiritless" (she was equally outspoken in her dislike of the word "sculptress"). She received a number of recognitions and honors over the course of her career: the St. Gaudens prize (while still a student), several awards from the National Academy of Design, a prize from the Grand Central Art Galleries, an honorable mention from the Golden Gate International Exposition and the Joan of Arc Silver Medal from the National Association of Women Painters and Sculptors. "The Vine" (1923), a larger-than-life-size bronze considered one of her finest pieces, is in the American wing of the Metropolitan Museum of Art.		Harriet Frishmuth scorned modern art and was quite outspoken on the subject, calling it "spiritless" (she was equally outspoken in her dislike of the word "sculptress"). She received a number of recognitions and honors over the course of her career: the St. Gaudens prize (while still a student), several awards from the National Academy of Design, a prize from the Grand Central Art Galleries, an honorable mention from the Golden Gate International Exposition and the Joan of Arc Silver Medal from the National Association of Women Painters and Sculptors. "The Vine" (1923), a larger-than-life-size bronze considered one of her finest pieces, is in the American wing of the Metropolitan Museum of Art.
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